Winter Solstice Quilt

I've made a lot of quilts with the intent to give them  to family members and have pretty much covered all of my family in quilts now. I want to also be able to gift quilts to people in my life that I appreciate. First up on that list was my coworker that has assisted me daily since the later part of 2018. Since I work remotely, I don't see my coworker very often. We were both going to be in the office for a mandatory event, so I asked him if  he would like a quilt from me. I don't like to just give a quilt to someone without knowing if they would want one. He said he would and I told him to talk to his wife and see if there was a certain pattern and colors she might want. I think we can all agree that the woman of the house typically decides what decor items come into the home. 


His wife selected the Winter Solstice Quilt pattern by Patti Carey of Patti's Patchwork. The wife also indicated that she liked the brown  color version on the website. I immediately bought the pattern and went shopping for fabric. More on that in a minute. My coworker had so  many questions for me as I made the quilt. He asked how the different elements in the quilt were made and I told him the trees were made from flying geese blocks and the mountains were delectable mountain blocks. I had him google the instructions for both so he could see how they were made. 


My coworker does a lot of mapping work and has a background in geology, so I thought the malachite pantograph from Urban Elementz would be perfect for his quilt. I showed him the two pantographs I was considering - malachite and woodgrain. When he saw the malachite design he remarked how cool it was and how it looked like a topographic map. I knew then - it was the right choice. 


He was amazed to hear that my quilting machine pretty much did the quilting on it's own. He asked me to send him a video when I did the quilting. I did and of course took a few photos during the quilting. I used a grey thread for the quilting. 



I also had to send him a photo of the quilt top draped over the longarm frame before I quilted it to show how big the machine and frame are. My Tin Lizzie sites on a 12 foot long frame. 



Selecting the fabrics was the hardest part. I think it was because I wanted the quilt to be perfect. I was so worried about it not being "perfect" that I actually took apart and redid a large swath of the quilt. Below is what it looked like initially. I liked it, but something felt "off". 


I moved a few blocks around to see if I liked the "flow" of the colors and trees better. I thinkI even made a few new trees at this point as well. 


I also took a black and white photo. This is something I do frequently to get a better visual of the tonal changes in the colors in a quilt. 


Then one morning as I walked past my design wall to the laundry room - where I do my workouts, I finally realized what was visually bothering me. It was the darkest brown value I had picked. I realized, it was too reddish and kind of clashed with the cooler hue of the other prints. Instead of working out that morning, I pulled down each and every block with that reddish brown fabric and made a list of what needed to be replaced. 


I had to find a suitable fabric replacement in my stash. I had no time to go and do any shopping. I didn't have a lot of extra fabric to use and had to get creative and move mountains around. Most of the fabrics I used were Northcott Stonehenge line of fabrics. I had hoped to buy the same fabrics used in the brown version from the website, but they were not all available from the store I shopped at locally. I also had used some grunge and abstract prints I had picked up at another shop and pulled from my stash. This quilt calls for 12 different fabrics. It took some adjustments to the design, but I was finally able to settle on a layout that felt right to me.


I'm happy to report that my coworker loved the quilt. I made it and gifted it to him to show him how much I appreciated his help. I honestly don't know what I would do without him. We both handle Texas oversight and it keeps us both extremely busy. It's not something I could handle easily on my own. I did the job without him before he started, but it was soooo hard. When he started and I was assigned as his mentor, I was thrilled that I would finally have someone to help me. He has become such a competent coworker that he can easily fill in for me whenever I am out. He had to fill in for me for 6 months when I went on a detail and I know he did not enjoy it. All that to say - it really means a lot to me that he has stuck around and continued to work with me and puts up with my bossiness.  So when he sent me a gift card to thank me for the quilt, I wanted to yell at him. I didn't want anything in return. But it did make me feel good that he valued and appreciated the work. 


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Week ending June 25, 2023


I'm still hobbling around in a walking boot which is hindering my productivity.  I did cover my wool pressing mats and think they look so good. 
I finished my Laerning Curve quilt- more on it later. 


I quilted it over the weekend.  


I also pulled out a quilt top made by my grandmother thst I quilted on Sunday. 


She signed the back with the date she gave it to me - July 4, 2006. She had hemmed it for me to use as a table cloth.  I used it that way for many years and thought I'd rather have it as a quilt now for display. 


I have a lot of things to photograph and share and hope to do so soon.  


Learning Curve Quilt

I'm an environmental scientist and the three R's (Reduce, Reuse, Recycle) are really important to me. I save every usable scrap of fabric - down to 1.5" squares for quilting cottons. I absolutely love making scrap quilts. They are my favorites. I keep all my solid colored scraps in a bin and that bin was overflowing.   I received the Bubble Lights print on Cotton Sateen from Minerva and decided to make a quilt to use it for the backing.


I pulled out each scraps, then selected pieces that were colors I saw in the Bubble Lights print. The print is so colorful so I had a whole rainbow of colors to select from. I then needed to figure out a pattern. One quilting technique I have been wanting to master is sewing curves. I thought that a quilt full of drunkards path blocks would compliment the bubbly pattern in the Bubble Lights print. I decided my quilt blocks needed some "rules" so I put my fabrics into two piles - cool tones and warm tones. I then decided that the cool tones would make the concave piece and the warm tones would make the convex piece.



I initially wanted to piece the blocks randomly,  but found that I didn't like some of the color combinations. I sewed the pieces in color groupings that I felt were visually appealing while also making sure there was a good variety in each color. After all my blocks were made, I set about pressing them and had to  fix a few where I didn't catch enough of the seam allowance. Many of my blocks have wrinkles and folds, and I have left those imperfections. I named this quilt "Learning Curve" as that is what I was doing - I was learning to sew curves and felt like to be true to myself I needed to leave those small imperfections to show that when you are learning, it's not always going to look perfect. Many people focus on the imperfection without realizing when it is combined with everything else, those mistakes and imperfections disappear and become very hard to find. 


Cotton Sateen makes for a luxurious quilt back and I was so excited to try the Minerva Exclusive Bubble Lights Cotton Sateen for a quilt back. This cotton sateen is almost 56" wide. It has a very soft and silky texture. It is not as heavy as other cotton sateens I have used, but it  doesn't affect it's use as a quilt back and would make it especially great for apparel. Some finely woven cottons like a cotton sateen can show puncture holes - especially when quilting, but this cotton sateen did fantastic. I normally put in a new needle before quilting on tighter weave fabrics and forgot this time. When I checked the quilt back as I rolled it on my longarm, I was relieved to notice that the puncture holes were not noticeable at all. I would definitely use the Minerva exclusive cotton sateen  for another quilt.

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Week ending June 18, 2023

My Garden Club Quilt is on a road trip and was at the Kansas City Regional Quilt Festival this weekend. 

I worked on my Drunkards path Quilt. This pile is 252 blocks. 


I pressed them and organized by color of the concave piece. 


I then trimmed them to 4.25". They were supposed to be 4.5", but since these were my first I took a larger seam allowance and was not always consistent. 


I started placing the pieces on my design wall and liked this Block layout as I didn't have to worry about curves not matching up. My curves are not perfect and not all trimmed so that the convex is a consistent distance from the edge. 


I had decided to do an ombre.


All the pieces on my design wall. 


I ended Sunday with my blocks sewn together.  This coming week I plan to finish the top.  


I also got a sweet photo on Sunday of a baby on my quilt. It just melts my heart. 


I have fabric from Jaftex to sew for July and will share it soon.  

Week ending June 11, 2023

Not a whole lot photo worthy happening in my sewing room. I'm wearing a walking boot for a few weeks and trying to stay off my feet. I did take a few indoor photos of my Karnak Quilt  

I'm still cutting and organizing scraps. I can do this seated, and plan to get this cart filled and organized in the next week or 2. 


I put this baby quilt on my longarm and quilted it, then did the binding before mailing it off to a colleague who recently welcomed home a baby boy.  I made the quilt top 2 or 3 years ago.  


I'm crafting a leveling shoe lift to wear on my foot without the walking boot. I was not amused by the $35 price tag of something I only need for maybe 2 more weeks.  


Hopefully I'll have more photos of stuff this coming week. 

Urban Crossroads Pattern by Prime Time Quilt Company

I fell in love with the Urban Crossroads pattern, and Prime Time Quilt Company, when I saw the tester photos flood my Instagram feed. Each was so beautiful, but I was especially drawn to the fat quarter versions that I saw. 



When selecting fabrics, I started with the Baltic Blue solid I received from Minerva. I have a full blog post on the Minerva website about the fabric. I then went through all my fat quarters and really loved how the batiks were looking. 


I had several fat quarters of batiks and a few half yard cuts. I decided on a group of 12 prints and decided to double up on the ones that were half yard cuts. 


I then needed to pick a fabric to use for the corner pieces that would create the diamond shapes. I found a golden marbled batik and felt like it gave the right pop of color that I needed. 


The batiks I chose have a variety of colors with blues, greens, pinks, and some browns being the primary colors. The colors are more rich and vibrant in person.


I quilted my Urban Crossroads quilt on my Tin Lizzie using a woodgrain pantograph that I purchased from Urban Elementz. I love this pantograph and think it was perfect for this quilt. 


This quilt was so fun to make and I really want to make another!


Prime Time Quilt Company has a great selection of patterns that are unique and modern. 


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Week ending June 4, 2023

It's been busy in my sewing room. This past week I received new fabric from Minerva (seen below with Nia) and finished my Karnak Quilt (pattern by Tesselate Textiles. 


Here's the Karnak Quilt quilted.


I blogged about my Flower Peddler Quilt made with the Willow Hollow collection by Kim Diehl for Henry Glass Fabrics.  


My Garden Club Quilt made with the Garden Club Collection by Missie Carpenter for Henry Glass Fabrics will be going on a road trip to be in a show. 


I've seen many quilters recommend cutting scraps to frequently used sizes when storing them. I got my Tim Holtz Vagabond cutter out to help with the task.  

I ended my Sunday grabbing a few photos of my finished Karnak Quilt.